Created by Süperfad. New work for Sony is startlingly beautiful and a surreal homage to its global brand message of “make.believe” and a tribute to the pleasure of eye candy.

RE:Map UV was used on the face with dripping paint, in order to speed up turnaround time for client changes to animated texture used.

Stephen Fitzgerald designed and animated this spot for Gunshop in '08.
Animation in Lightwave and After Effects. Pixel animations were mapped onto the buildings with RE:Map UV plugin.

Nathan DeCaesar assisted with composting and pixel animations.

Bonfire Labs rendered a UV map from a 3D authoring program (in this case, Maya) in order for the client video to be replaced interactively in post in a compositing application (in this case, After Effects)... providing faster turnaround, and allowing for alternate versions without having to go back to the 3D system.

Automatic distortion for a caricature effect is shown.
Model: Toni Foster.
Video provided by Ami Sun.

Another automatic distortion is demonstrated.

Automatic distortion with feedback option.

Automatic distortion using another source movie to control the distortion (see lower left corner for water droplet distortion source).

UV mapping in post demonstrated. UV map (with red and green gradients) rendered as a separate pass from a 3D system then rendering with RE:Map UV.

The same UV map that was used in the previous example is used again here with a different texture map.