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  • Sample Videos
  • Play VideoCrystal Light

    Production Company: Digital Kitchen
    Advertising Firm:Ogilvy & Mather Worldwide
    Client:Kraft Foods
    Morphing: Lloyd Alvarez
    "RE:Flex was used to warp water to appear as if it was coming off clothing."

    swfobject.embedSWF("/video/player-licensed.swf", "flvplayer_169", "480", "290", "9.0.0", "", flashvars, params, attributes); })
  • Play VideoEvolution of Style

    Production Company: Noside
    Client: Garnier Fructis

    RE:Flex was used for the body alignments and face morphing. The bundled version of FreeForm with After Effects handled all the clothes folding (shirts tearing apart, jacket folding in and so on.. ). Then the artist stacked RSMB on top of it to help create interesting and somewhat "believable" movements.

    swfobject.embedSWF("/video/player-licensed.swf", "flvplayer_169", "480", "290", "9.0.0", "", flashvars, params, attributes); })
  • Play VideoForell Fussli Billboard

    Client: Orell Füssli
    Production Company: ABSOLUTTURNUS AG
    Morphing: Dany Bittel
    "The swiss production company Absolutturnus created this tv billboard for the biggest book seller in switzerland. It was shot in front of greenscreen in HD, then every actor was rescaled and color corrected individually for best match in SD. The morphing was done with RE:Flex directly in After Effects. It was easy for Dany Bittel to acquire the necessary knowledge for the morphing, because RE:Flex integrates as an effect easily into AE and uses the standard masking. There was no need to change the workflow."

    swfobject.embedSWF("/video/player-licensed.swf", "flvplayer_170", "520", "312", "9.0.0", "", flashvars, params, attributes); })
  • Play VideoStipple Guy

    Client: Wall Street Journal
    Production Company: Wild Brain
    Director: Gordon Clark
    "The whole idea of the job was that it had to look like the [the Journal's] very classic and precious illustrative style," Clark expalins. "It means you had to have all these little tiny dots, and they had to move with the character. It was about the scariest idea possible for animation. [...] We must have tried about eight or ten different things, and none of them worked," reports Clark. "We even tried making a 3-D model head [on the computer] and roto-ing that." Finally, they found a solution. "It was a program called RE:Flex." Read More.

    swfobject.embedSWF("/video/player-licensed.swf", "flvplayer_171", "640", "500", "9.0.0", "", flashvars, params, attributes); })
  • Play VideoHoney, We're Killing the Kids

    In this project Glassworks used RE:Flex to in-between artist renderings of people at different ages to create animations of the series participants to show what they could look like if they continue their bad eating habits, or if they switched to good habits.

    swfobject.embedSWF("/video/player-licensed.swf", "flvplayer_206", "640", "380", "9.0.0", "", flashvars, params, attributes); })
  • Play VideoStarry Eyed Surprise

    Starry Eyed Surprise
    Artist: Paul Oakenfold
    Director: Laura Kelly, Production Company: Partizan
    © 2003 Maverick Recording Company

    swfobject.embedSWF("/video/player-licensed.swf", "flvplayer_172", "640", "500", "9.0.0", "", flashvars, params, attributes); })